This Mess is a Place is charged with a hopefulness that stands in stark contrast to music that celebrates apathy, despair, and numbness. Tacocat feels it all and cares, a lot, whether they’re singing odes to the magical connections we feel with our pets ( Little Friend ), imagining what a better earth might look like ( New World ), or trying to find humor in a wholly unfunny world ( The Joke of Life ). Throughout the album, Tacocat questions power structures and the way we interact with them, recalling the feminist sci-fi of Ursula K. Le Guin in pop-music form. This Mess is A Place explores politics with more nuance than the topical songs of Tacocat’s past, inviting listeners in for more complicated exchanges and leaving space for introspection.
The highly anticipated album, This Mess is a Place, will be released May 3rd on Sub Pop Records. Produced by local legend, Erik Blood, the 10-track album features the band’s signature high-energy music and trospective songwriting. To whet the proverbial whistles of their fans, Tacocat recently released the album’s first single (and accompanying music video) for Grains of Salt, which you can watch below . There is a fair amount of civic concern expressed on the new record. Now that you’ve finished it, has your orientation to the world of politics changed in any way? No, not particularly. I mean, it was written during a pretty dark political time.
1. Intro, Perseverance and Patience (feat. The Last Confidence feat. This Mess Is a Place. English Español Italiano Deutsch Français Brasileiro Português 日本語 한국어. Company. Is This Childish Enough Sean Ford? Lyrics. by This Song Is A Mess But So Am I on album Marble Mouth . Sean Ford I would like to smash your fucking brainless head you worthless fuck. by The Last Confidence on album This Mess Is a Place. By this time I've learnt Where to put my feet Without these sidewalk cracks It wouldn't be my street Even though this has been home just for a few years The sky above me has never been so clear Becaus. 4. This Mess Is a Place Lyrics. I mess up And I haven't done the best I haven't been as committed as I've promised I haven't pushed as hard as I could I have a problem with that I admit But I'm not gonna quit. I'm gonna keep pushing.
For an album called This Mess Is A Place, Seattle band Tacocat have never sounded more polished. Whether that’s a step forward or backward for the group is a matter of personal preference, but time is certainly shaving away the punk outfit’s rougher edges, revealing a shinier, clearer sound. Earlier albums NVM and Lost Time both dealt with feminism by diving into the minutiae of navigating life as a woman, specifically one in the Seattle area. The album’s poppy sound and Nokes’ singular voice, which launches from throaty depths to soaring peaks, keep things effervescent and upbeat while also chipping away at the systems that bind us. Tacocat expertly sing about everything that makes life difficult for us in this day and age, but the album is not so specifically referential to our time that it’ll be outdated in a matter of months.
This Mess is a Place, the spirited quartet's fourth album (and first on Sub Pop), somehow maintains a throughline of Tacocat's signature snark and surf-pop without sugarcoating the effects of the political landscape. Instead, singer Emily Nokes, drummer Lelah Maupin, bassist Bree McKenna and guitarist Eric Randall find a way to confront it, using their brand of self-deprecating humor and asking candid, existential questions. Despite ruminating on the dark effects of politics through its apathetic lyrics, This Mess is a Place anchors itself in moments of hope and brightness. The band quickly provides a reminder to appreciate the simple things in life on "Little Friend," paying homage to the loyalty of pets. In between sharp guitar riffs, Nokes muses about the strong bond that exists between people and their furry friends: "Gold eyes see through the dark, Those eyes see through the dark.
Last Place is the fifth studio album by the American indie rock band Grandaddy, released on March 3, 2017 on 30th Century Records. Self-produced and recorded by the band's frontman and primary recording artist Jason Lytle, the album is the first by Grandaddy since Just Like the Fambly Cat (2006) and the band's prior break-up. Lyrically inspired by Lytle's divorce, the album was preceded by the singles "Way We Won't", "A Lost Machine" and "Evermore".
|2||This Mess Is A Place||3:01|
|4||Smokin' My Days Away||2:35|
|6||Music Is My Drug||2:07|
|7||Violenza Carnale (Acoustic)||1:40|
- Acoustic Guitar – Luca Bi Audio (tracks: 7)
- Artwork – Redz
- Bass, Backing Vocals – Hélio Gomes
- Drums – Diego Facchi
- Guitar, Backing Vocals – Cristiano Ronchi
- Producer, Recorded By, Mixed By, Mastered By – Enzo Cappucci
- Vocals, Guitar – Marco Cosentino
- Written By, Composed By – The Last Confidence
|none||The Last Confidence||This Mess Is A Place (7xFile, MP3, EP)||Not On Label (The Last Confidence self-released)||none||Italy||2017|